The Tanzanian Handshake

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My favorite part of learning any language (aside from that “aha!” moment when you figure out how a mess of words fit together into an actual sentence) is in the very beginning, where you don’t know yes from no or stop from go, but regardless you start by learning basic salutations and greetings. There are quite a few unique and funny ways that every culture uses to say ‘hello’, and Tanzania is no exception.

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Some of these greetings are teachable. For example, you can drill a Chinese kid named God (true story) to greet his friends with “wussup”, so that he won’t stop saying the word no matter who he meets, but regardless at every utterance of “wussup” you will smile, God will smile, and everyone who hears will smile.

The physical greetings, though, those always throw me for a loop. Do I kiss once, or twice, or three times? Do I look you in the eye when I bow, or at your feet? Do I curtsey, or touch your feet, give you a high-five? Am I allowed to touch you, and if so, where? Am I exempt because I am so obviously a foreigner? Can someone just tell me what to do?!

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Here in Tanzania, in addition to a very long roster of verbal greetings one must memorize, there are physical cues one must master when greeting a local. For example, the different forms of handshake that are always welcome, or more often, expected.

There’s the mutual-grabbing-of-the-wrists handshake, although I’ve only seen this a few times. More popular is the three-switch-up-handshake, where start with a soft cupping handshake with your fingers facing down, then switch quickly to a handshake facing up, and then switch facing back down, leading me to think of it as the “secret-clubhouse” handshake. Sometimes this handshake is done slow and leisurely, others more quickly where the second switch is barely even existent. Another common one is the handshake-sans-shake, but rather just two hands that meet in the middle and barely grasp each other, then remain as such for the first 10 seconds of a conversation bobbing up once or twice as if to say casually, “oh yeah, this is a handshake”.

Unlike America’s obsession with a firm handshake, the Tanzanian handshake is usually limp and noodle-y.  I’m learning first hand–no pun intended–how to offer my hand, ever-so gently, to each familiar face I meet. I’m learning how not to grasp tightly, as I was conditioned in the States, but rather to barely bend my fingers around that of my counterpart. I’m learning how ten more seconds of holding hands with an almost-stranger is a sign of respect in this culture.

My favorite fruit guy at my market, John, smiles when he sees me. He stands up from a usual napping position to say, “Habari! Jessie, Karibu!” and stretches out his hand with a wide grin. After he takes my hand he doesn’t let go, he proceeds to ask what I want for the day. We continue a conversation–about mangoes, about avocados, about these weird new pears with rough skins that he got in recently–all while this kind man with a huge belly is holding my hand. At first it seemed like forever that this strange man was holding my hand, but I’ve since gotten used to it.

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The guy who sells me chicken feed hollers at me, “Mama, Karibu!” from afar. It’s raining out, so he has some sort of old t-shirt or rag over his head which serves the dual purpose of keeping rain away from his eyes as well as provide padding when he hoists the 50kg bag of chicken feed onto his head to carry to my car. Before he grabs my bag of feed, though, he comes over to me and takes my hand. Mama, Habari? he asks. We exchange pleasantries, ‘Habari za kazi?’ How is work? ‘Habari za familia?’ How is your family? We’re still holding hands, slowly shaking up and down.

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The guy at the fish market knows my car by now, and it seems like the other guys barely bother to get up as quickly as he does when I approach. ‘Hi, sista!’ He yells. ‘How are you’, he says in accented English, the melodic sing-song way that I’ve recognized the Swahili accent to be. He’s a young guy, who wears a red Arsenal jersey almost every single time I see him, and he initiates a three-switch-up-secret-style handshake.

I think back to my hometown in California, where while growing up I must have seen the same cashier at Safeway over and over, and over again some hundreds of times (and still do, when I visit my parents), yet there is nary a feign of recognition–on either of our parts. Here in Tanzania, these limp and barely-there handshakes, these weird wrist-grappling methods of saying hello, and these learned handshakes that make me think I’m in a special club–they do more than simply say “hi”, and they’re certainly a language all their own.

Superbowl Sunday XLVIII

Anyone else call this ‘Superbowl ex-el-vee-ei-ei-ei‘?

There are a few holidays that make me feel very American abroad, and where the two official holidays are Fourth of July and Thanksgiving, the one unofficial holiday is Superbowl Sunday. Though, I could strongly argue for a case to make it a day off, a bank holiday, because I’ve seen the lengths at which men and women abroad will go to watch the game. In fact, my Superbowls abroad might be celebrated with more ceremony than my Superbowls at home.

In China, we had two Superbowls; that’s two years where we watched football at 7am in the morning. The first year was my favorite, it was when the DiploMan and I hosted, playing a mediocre quality TV feed projected onto our pull-down screen, complemented by breakfast and Irish coffees. Our curtains were drawn for the occasion, and since our group of friends all took the day off from work we ended up spending the day indoors, curtains drawn the whole day, playing card games and watching ridiculous adult comedies.

The next year we decided to go out and watch the game, at a popular Irish pub in Guangzhou who fed us a big English Breakfast. Beers and Beans at 7am, yum.

This year, when I caught wind that the Superbowl would play between the hours of 2-6am, I thought surely no one would be crazy enough to watch the Superbowl. I figured a delayed feed it would be, that I would wake up to a Facebook feed of activity as I do every other morning.

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But no, I was wrong, and there was not just one, but two Superbowl parties here in Dar (and more that I’m sure I just wasn’t invited to). Never underestimate the determination of Americans! Only here in Dar, can I say that I’ve had a 2am rooftop viewing of the Superbowl. With one television playing a crispy clear version aired by AFN (Armed Forces Network), and another screen projecting the a low-quality Slingbox broadcast, important for us only for the occasional glance at commercials, I thought to myself, we sure as heck make for a compelling argument to declare Monday a day of rest.

The Real Dar >> a letter of hope and a plea for acceptance

Dear Dar es Salaam,

I’ve been living here for 2 months now, and part of me feels like my life has been a make-believe world. I’m not going to lie, I’m struggling a bit coming to terms with this sudden lifestyle-of-the-rich-and-famous living of which has been served up on a silver platter. This lifestyle that includes hired help, roof deck soirées, barbed wire fences, and a yacht club membership. While it’s not completely unnatural to me (a point that scares me a bit), and of course it’s quite nice to have someone work our garden so we don’t always have to, it’s not real, not in the scope of where I’m living. But you know that.

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So when friends from home ask, “how are you doing?”, it’s with a genuine smile but much hesitation when I say, “I like it here”. Sure I’m settling in, but I have a feeling that I might never really experience the real YOU, nowhere near as real as I experienced during my time in China. And that saddens me, that I can live in a place and call it my home, yet never really know its substance and its inner-workings.

I’m learning, though, and seeing, and observing. It’s taking awhile to see, but I’m seeing little things. For example, the fist that you hold in the air. A fist wound tight and held palm forward, in place of a wave sometimes, or simply as a gesture of recognition. To allow me to pass in traffic. I can’t yet hold my fist up in the same way, with the same amount of effortless finesse, but I’m sure after two years I’ll be throwing my knuckles up with the best of ’em.

It’s an American fascination, perhaps, to immediately expect to understand and acclimate to a culture, to blend in, and to be recognized as “one of them”. One of you, actually. While I’m starting to come to terms that this won’t be fully possible in my two short years in Dar es Salaam, I hope to at least gain a more than just a glimpse into this city and this country, much more than a kind, yet distanced, fist in the air will tell me.

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This weekend, on my first trip out of your city, I drove along 75 kilometers of the real Dar es Salaam. The Africa that scholars, novelists, economists, and peace corps volunteers describe so much better than I am able to. It’s the real Africa, the Africa that Leonardo DiCaprio’s character in Blood Diamond so often mutters, so succinctly, with the three letter acronym: T.I.A.; This, Is, Africa. I kept saying it to myself in the car as I drove down the long stretch of highway. This Is Africa. This Is Africa that keeps passing me at 100 km per hour while I’m driving at no more than 80. Pole pole!, or, slow down!, please!!!

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All traffic critiques aside, This Is Africa, that lives in poverty, surrounded by community, plagued with disease, swathed in fabrics, rich with history. It’s an Africa that has separated us from them, me from you – out of obvious wealth differential, cultural disparity, and a more subtle yet deeply subversive historical context. Damn you, colonial expansion!

Anyhow, I drove past a vast valley of shacks and shanties along that long stretch of Bagamoyo Road, where many of your residents call home. The topography was not unlike my home state of California – a stretch of highway road, dropping down to a barren valley of homes speckled with dry greenery, dusty footpaths, and a view further out extending and dropping into a blue and expansive ocean.

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And while I arrived home Sunday afternoon thankful to be connected to wifi once more, thankful to have access to my filtered water and icebox and collection of too much stuff, I thought of the scenic likeless between my home state and that strip of highway that I witnessed. And wondered what other likenesses there are between myself and my new home. Hopefully, really, it is with GREAT hope that I have, I’ll be able to recount other likenesses, more personal likenesses. It’ll be a challenge – between the crime and the how-many-different-levels of how I simply don’t fit in here. But hopefully, I’ll see the real Dar in these next two years.

Respectfully yours, with a fist in the air,

Jessie

The Second Line

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Anyone who knows anything can tell you, in a few short descriptive words, what Mardi Gras is all about. Party. Beads. Hurricanes. Floats. A really big frickin’ parade.

Partial nudity and madness are also words that may or may not be used, but that depends on what kind of person you are.

Mardi Gras is most certainly the biggest parade in New Orleans, but definitely not the only one – not even close. One of the things I learned on my trip was how New Orleans is so steeped in a regional cultural all unto itself – more so than any other state, region, or city in the U.S.. New Orleans residents are so unique and passionately soaked in local culture, as seen through their music, historical references, numerous landmarks, food, religious influences, and most evidently so – in parades.

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Now let’s talk parade as culture. I mean, if parades are part daily life around these parts, can you blame residents for not being so completely passionate about their city??!

The Second Line is an event, a parade, that frequently take place in neighborhoods around town. Usually on Sundays, mostly during Mardi Gras season but also scheduled throughout the year in relative degrees of popularity, different groups of different demographics parade through streets celebrating life and music in various coordinated outfits and costumes. There’s a second line that celebrates Star Wars and its parade marauders are dressed up as Star Wars characters, I’m told. But that’s something of a completely different cultural history that I’m not going to delve into.

The term ‘Second Line’ comes from a tradition of funeral processions, which is rumored to have descended from West African heritage and tradition. Following the casket would be a brass band, and following the band would be those celebrating the life of the deceased. Today, there are still actual second line funeral processions that take place – particularly when notable figures in town pass away. On the flip side, second line processions have also become popular at weddings in New Orleans.

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Every year in November, my friends’ favorite second line troupe holds their biggest fete.  The Lady Buckjumpers are a prominent social group in town, and we were able to catch up at the end point of the parade to witness some of the magic. Groups of young girlfriends in coordinated outfits (bright colorful spandex and faux leather vests seemed to be a popular choice among the urban youth of New Orleans) paraded in the line, after band members pumping out brass music while wearing bright orange and purple zoot suits and top hats. Younger kids danced around (the troupe has a younger division called the junior buckjumpers), and masses of friends and families walked past yelling and hollering and one another.

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We were, in our skinny jeans and designer t-shirts, slightly out of place. But the thing was, in the parade atmosphere, where everyone is celebrating and walking to the music, no one ever feels totally excluded.